Syllabus
Cultural Mirrors
If there ever were a match made in heaven between class and instructor, it鈥檚 Course 5193 and Carmen Tafolla.
The course is Multicultural Literature for Children, in the College of Education and Human Development鈥檚 Bilingual-Bicultural Studies program, and the instructor is one of the most acclaimed authors in the field.
This spring term, 12 graduate students and Tafolla together explored and analyzed culture and diversity in children鈥檚 books.
Tafolla, who grew up on the West Side of San Antonio in one of the city鈥檚 poorest neighborhoods, is an internationally acclaimed writer and award-winning author of children鈥檚 literature. To date, she has published five books of poetry, eight children鈥檚 picture books, seven television screenplays, two nonfiction volumes and a collection of short stories.
The course is described in the catalogue as 鈥渢he study of representative children鈥檚 literature for, and about, the many culture groups in the Americas, with emphasis on Latinos and Latinas.鈥 As it turns out, the course is a perfect platform from which Tafolla can share her knowledge with graduate students who are either already classroom teachers or are working toward that goal.
Tafolla loves teaching. 鈥淭he best way to learn something is to teach it. In the process of explaining it, you discover dimensions you didn鈥檛 know existed,鈥 said Tafolla, who was recently hired as a senior lecturer for the college. 鈥淭his class is a collaborative learning experience. We learn from each other, challenge and question each other鈥攚e push the edge.鈥
Omar Mendoza, a graduate student of Tafolla鈥檚, said he enjoys her class. 鈥淪he teaches us ways to look at books differently and challenges you to find yourself in the books that you read.鈥
Tafolla knows that literacy rates today are at a crisis level, particularly for minorities. 鈥淐hildren do not see themselves reflected in the literature. Many have different experiences than the ones that the traditional classroom has been set up to support. And, the less you see yourself, the less you want to be involved, the less school even makes sense.鈥
One of the goals of the curriculum is to teach how to analyze books written for children and young adults. 鈥淭his class looks at what is right with a book and also what is wrong,鈥 said Tafolla. 鈥淲e learn to be very, very aware of all the implications a book, or a whole era of books, can transmit to young people.鈥
In her class, one week the theme could be gender messages. Another week the focus might be diversity.
鈥淲e learn that diversity is always a positive鈥攊n nature, in science, in human tesoros,鈥 she said. 鈥淒iversity is more than the differences we have in ethnicity and language. Many students today are from nonstandard families, and to help a child see herself in the story, we must show respect for all individuals and all kinds of households, and this respect should have its cultural support structure in the books and media we use.鈥
According to graduate student Dora Moreno, 鈥淧rofessor Tafolla makes you think about what you are reading. She challenges us to go beyond the words and figure out what is also going on in the background. And then, to figure out what the message is and ask the question: Is this an appropriate message?鈥
What advice would Tafolla give parents buying books for their own children?
鈥淧arents should know that reading offers their child a window to the world, so they need to find literature that has 鈥榳indows鈥欌攂y that I mean finding things that open up brand new experiences for their child,鈥 Tafolla said.
Just as important, said Tafolla, are stories that have mirrors. 鈥淚f a child can find his own experiences reflected in the story, then that reflection will affirm and lead to a pride in the 鈥榮pecialness of being me鈥 and will connect them to the world of books.鈥
And last but not least is passion, she said. 鈥淔ind stories that your child will love to read, and if possible, stories that you yourself enjoy reading, because your children will pick up on your enthusiasm or lack of it. I read three stories a night to my 5-year-old, and sometimes it鈥檚 the same book, read three times over because she loves it so much. I indulge that passion for a story, because then, emotionally, that story belongs to her.鈥
鈥擬arianne McBride Lewis
